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Calligraphy Bible: A Complete Guide to More Than 100 Essential Projects and Techniques, by Maryanne Grebenstein
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The Ultimate Guide to Essential Materials, Techniques, and Projects for Calligraphers
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From ancient to modern times, the art of calligraphy has brought the written word to life, beautifying folklore, letters, poetry, and more. Embark on a journey through time, as the book examines the history of writing and its transformations. Between these pages, you’ll find:
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��������� A detailed guide to materials, tools, and setting up your own workspace, as well as a troubleshooting section.
��������� An Alphabet Workbook for practicing all the book’s letterforms, from Foundationals to Copperplate, alongside beautiful examples.
��������� Clear demonstrations map out every type of line, stroke, and flourish you may encounter.
��������� Easy to follow instructions for gilding, illuminating letters, mixing colors, flourishing, and creating ornate borders to frame your work.
��������� A wealth of projects to put this ancient art to practical, modern day use, including wedding invitations, posters, letterhead, and more.
��������� A comprehensive list of suppliers and calligraphers’ societies all over the country
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With something for everyone, Calligraphy Bible offers the tools you need to explore the limitless possibilities of calligraphy. Immerse yourself in this detailed, instructional resource, and, in no time, you’ll be flourishing, gilding, and writing like a calligraphy master!�
- Sales Rank: #458010 in Books
- Color: Calligraphy Bible
- Brand: Random House
- Published on: 2012-04-03
- Released on: 2012-04-03
- Original language: English
- Number of items: 1
- Dimensions: 8.96" h x 1.00" w x 9.02" l, 1.67 pounds
- Binding: Paperback
- 256 pages
About the Author
Maryanne Grebenstein is a professional calligrapher who runs the Abbey Studio, in Hingham, Massachusetts (www.theabbeystudio.com), a center offering calligraphy courses as well as handmade products. She has taught calligraphy at the Massachusetts College of Art and the North Bennet Street School in Boston, and at The Corcoran College of Art & Design in Washington, D.C. Grebenstein is also the author of Calligraphy: A Course in Hand Lettering.
Most helpful customer reviews
12 of 12 people found the following review helpful.
Glad I did my research before buying, great book.
By bas bleu
I looked for quit a while trying to decide what calligraphy book to buy and ended up going to a large bookstore in our area so I could look through the books in person, they had approximately a dozen different calligraphy books. This one stood heads above the rest.
I am about 1 month into calligraphy and don't plan to go beyond the fountain pen type pen. But if I do decide to go further this book gives information plentiful, varied and detailed enough that I could set up a professional workshop if I chose to go there in the future.
The book is very comprehensive. It covers gilding, pens from fountain to dip pens, papers , how to setup and prepare a workspace, needed tools. This section you can following completely or easily determine how much, how little and what you do or do not need for your personal needs.
I love that the book addresses holding the pen for right and left handers. There are 10 alphabets to choose from learn one or all and concise instructions on how to make each letter, ie... pen placement and stroke order.
Other areas covered are doing calligraphy on colored papers, mixing colored inks to make new colors, how to choose color combinations. Also included is the pretty stuff, flourishing, which are all the pretty curly cues and such that you may want to add to a letter, a line or a border. Ornamentation of say like a capital letter at the beginning of a book, an invitation, or announcement where they make a beautiful capital letter and then add pretty designs like leaves, flowers, these specially flourished capital letters are often contained within a square then embellished with ornamentation and different colors, even gold leafing or embossing, which of course the book covers.
This book also gives ideas and how to's on making pretty borders around your paper , or just in one corner of the paper, or up one side of the paper. Design ideas and layouts are included, they show how to make your design on graph paper first is you need to keep the design lined up with the letter or other parts of the design. This means that you can make up your own ideas for your own design after a little practice, very cool.
The book ends with 60 pages of various calligraphy projects, running a big variety of design, style and materials. Then at the very end there is a wonderful list of resources, suppliers etc....
I am so glad I did my homework, I know I have chosen the only book I will every need on calligraphy unless I want to get into the kind of flourishing where they draw birds and other designs. I should be so lucky to get to that stage, but I love thinking maybe someday I will. This book has everything you need for a long time to come and is an excellent value.
2 of 2 people found the following review helpful.
Nice book, very comprehensive; exemplars could be larger
By Trish Meyer
(I'm reviewing the UK version "The Complete Calligrapher" which I'm pretty sure is the same book, just with a different cover in the US.)
If the original publisher (or author) reads this, I would make a few suggestions: Remove the wasted space on the Workbook pages. No calligrapher would write in a book like this - the ink would just run! Remove all the white space; then the exemplars in the Workbook pages could fit on two pages easily and could be a little larger too. Also, the broad-pen examplar "nib widths" should match a known nib size (say, like Speedball C-2) so we could trace them.
Still in the Alphabet chapter, I really like the two-page spread for the "Variations" - but putting 4 variations on a page means that each one is really too small to be useful. (I might try to scan them and blow them up.) Would much rather see 2 on a page, printed larger. In fact, the original examplar on the chapter's opening page could be made bigger if it was moved to the facing page. As it is, the eye-candy "example" is larger than the more-useful exemplar.
Otherwise, really nice looking book. Looking forward to reading it in detail.
1 of 1 people found the following review helpful.
This is the ONE
By Shadowskull
My wife bought me this book for my birthday after seeing me struggle with other calligraphy books and online resources. This is by far the BEST I've seen and after just a few months I'm totally designing great scripts. It even has great advice on how to fix the pens which I had been struggling with, then goes into not just the basic alphabets but also variations and ended off with design advice.
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